A great deal has been written about what Jackie Robinson meant to African Americans when he broke the color barrier of Major League Baseball in 1947. Not much has been said about what it meant to the rest of America.

Jackie Robinson first played in the old Negro Leagues that existed simply because organized baseball was segregated. The Negro Leagues, in their time, developed a reputation for hard-nosed, aggressive baseball.

I grew up in the 1940s and 1950s. I became a Philadelphia Phillies fan by default when the Philadelphia A’s moved to Kansas City in 1955.

My first baseball recollection is of a game between the Phillies and Brooklyn Dodgers at Shibe Park (later renamed Connie Mack Stadium).

By that time, the Dodgers had a few African American players besides Jackie: Big Don Newcombe, catcher Roy Campanella, and Junior Gilliam.

All these players had come from Negro League teams, and Campanella was a Philadelphia native from the Nicetown neighborhood.

I remember not understanding why Campanella had not been signed by the Phillies. I would later understand that when Jackie Robinson played in his rookie season in 1947, it was the Phillies and their manager, Ben Chapman, who had taunted Jackie with racial slurs.

The fact that the Dodgers were winning National League pennants at the time and the Phillies had only one to show for their efforts was not lost in this kid.

Whenever the Dodgers and Phillies met, Newcombe would be matched with Robin Roberts—ace against ace. They were memorable match-ups, usually decided by one run.

I don’t have specific memories of Jackie Robinson, but I do remember Campanella, both catching and hitting.

I also remember Willie Mays, Hank Aaron, and Ernie Banks—a trio of African American stars who were in that early generation of ex-Negro League players who were signed by Major League teams.

There is a point to all of this name dropping. They’re all in the Baseball Hall of Fame.

While those names are easy for a baseball fan of those days to remember, I had to read histories of the Negro Leagues to learn the names of Cool Papa Bell and Josh Gibson, two of the greatest players to ever play the game. I did not realize at the time that Satchel Paige had a long, successful career in the Negro Leagues before being signed by the Cleveland Indians.

Negro League teams beat Major League teams in exhibition games. Satchel Paige was considered the greatest pitcher alive. Josh Gibson was so good that Negro League fans referred to Babe Ruth as the white Josh Gibson while Major League fans referred to Gibson as the black Babe Ruth.

Cool Papa Bell was fast. Of him, Satchel Paige was supposed to have said he could flip the light switch and be in bed before the bulb went out.

Rich stories, but gleaned from a book and not observed first-hand as were the likes of Campy, Newk, Hammerin Hank, “Let’s Play Two” Ernie Banks, or Say Hey.

I came to a conclusion that fans of all-white Major League Baseball were impoverished for not being able to see those old Negro League stars. Segregation was wrong. African American stars were ostracized, left out in the cold. They could not hope to be recognized for their skills in white America.

But white America shortchanged itself. It missed out on half its history.

Jackie made ‘our baseball’ our baseball

Even today, with the exploits of Negro League stars finally being recognized, with Negro League stars being inducted into the Hall of Fame, very few white Americans can name more than a handful of Negro League stars. What of Leon Day, Judy Johnson, or Ray Dandridge?

When Leon Day was inducted into the Baseball Hall of Fame in 1995, I was there. I was there not for Leon Day, but for Richie Ashburn and Mike Schmidt.

When Leon’s widow made her speech on behalf of her late husband, some fans chided her to get it done so they could see their favorite Phillies stars.

“Let her speak,” I told a friend, “if it takes all day. Her husband is not here to appreciate it, but she is. It’s overdue, and she can take all the time she wants.”

I had no idea, at the time, what Leon Day’s career was like. Frankly, I don’t know now. I’m among those impoverished fans who just don’t know what we’ve missed.

And that is an imbalance that the signing of Jackie Robinson ended. I can tell you about Frank Robinson, one of the greatest all-round players I’ve ever seen. I can tell you about Blue Moon Odom, Joe Morgan, Dick Allen, and, yes, Ryan Howard and Jimmy Rollins.

And I can tell you that the brand of baseball that Jackie Robinson played came straight from the Negro Leagues—fast, aggressive, flashy, and bold.

It was a style of play that, when the late Buck O’Neill talked about it, his eyes would light up, his face would soften, and his words would form lovingly as he talked about “Our Baseball.” When Buck O’Neill talked about “Our Baseball,” that was when I knew for certain that I had missed out on something special.

In Philadelphia, we occasionally see glimpses of “Our Baseball.” We see it when Jimmy Rollins steals a base, or Ryan Howard connects with a moon shot. We see it when Derek Jeter snags a ball deep in the hole and still gets the runner at first, when Andruw Jones catches a sinking liner, when Dontrelle Willis sends hitters back to the dugout talking to themselves.

Thanks to Jackie Robinson, “Our Baseball” is now our baseball.

Wood carving from the New York State Historical Association and the Farmers’ Museum. Photo by Richard Walker. ©2006 The Farmers' Museum. George Beetham Jr. is a longtime newspaperman. This piece originally appeared in the Journal Register's supplement on Jackie Robinson.