THIS GUY
Feet like spatulas, turned outward. Maybe
he danced on his toes, on point. But otherwise
there is nothing about him I remember. He passed,
and that was the sum of him. Much of Hawaii
was chimerical, the startling waves at the north shore
perhaps cover the rocks now. One plants oneself
in a prism of light and changes color with the years.
My time in Hawaii brought me near to the palm trees
I knew in L.A. After effects of the melancholia
that traveled with me could be seen in the gray face
people asked about. I had to assure them
I wasn't dead. Coming home, leaving the palm trees,
which grew only in tropical rooms in large houses
in my high-desert city, I recognize the blood I've lost.
He danced the way he walked, within a Japanese
backdrop. Why I think of him at all, without meeting
is one of the tricks of memory, an outpost in the mind,
left unguarded. The trick of memory is to make sense
of such extraneous matter among the gray flies that thicken
the quiet depression. I welcome back those colleagues
and students who laughed at my humor, unknowing
they saved my life by their visits to my muddled zone.
My cheap car carried me to the Ala Moana shopping
mall and others as well. The neutral people were
helped in the gradual correction of my synaptic lobes,
and soon I could hear well and feed my mouth local
candies. My grad students read their poems in class,
and I could hear the wellness of their words. By the
time I leave, the clear morning will last all day.
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EXILE AMONG PAPER CLIPS
As a place
of exile, Hawaii
would be
a form of orphanage.
To be young
again
in this culture,
a man like
me
could learn
the value of
swimming trunks
and the defeat
of too many
questions
about my birth
parents. This
America, this
other place,
surrounded
by water
everywhere,
a somewhere
much other
than my birthplace,
exists as an
unexpected
foreign desire.
Born in New
York, city
of sequestered
intellectuals,
I could not
shape the reason
for my exile,
except as an
interlude between
home and further
discussion.
My parents
were no longer
the question,
but a decision
ingrown, a
factor in my
adoption
by a warm
winter. I could
not have imagined
that being
reclusive had
heightened
the gift
of shock in
my new circumstances.
Life
might be a
shadow I could
lift above
my head
with such strength
I could not
have believed
beforehand.
I was foretold
that new friends
would lead
me through
this Paradise,
where
I would have
something to
write home
about.
Exile discovers
a reach into
water that
clears
the mind of
exigency and
rumor, washes
away the frail
curtains fronting
old thoughts.
I would meet
in Hawaii a
hand that would
squeeze the
warmth of the
longing for
fresh depth.
I am writing
home. A short
memoir like
this
insists on
flowers, the
honorary lei,
an instinct
for the method
in which a
particular
luminescence
acquires the
gain of captivity.
Where to go
in these Islands?
I am temporary,
lost
in frequency,
in poetry that
is the heart,
still in
the beat of
home, and of
Hawaii, fragrant
orphanage.
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Gene
Frumkin was
an exchange professor
for two non-consecutive
years at the
Univ. of Hawaii–Manoa
and one semester
as writer-in-residence.
He has two books
forthcoming:
MEDITATIONS IN
CROWDED AIR (Chax
Press) and, in
collaboration
with Alvaro Cardona-Hine,
THE CURVATURE
OF THE EARTH
( Univ. of
New Mexico Press).
His latest
book in print
is FREUD BY OTHER
MEANS (La
Alameda Press). |